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written by Radha Mitchell

29 PALMS, CA is a feature film / art piece that ex- plores and chronicles the dreams and fantasies of a group of individuals who live in a trailer community in the Californian desert.

The world depicted in the film is inspired by the  photo- graphs of German artist Stefanie Schneider in that it combines the notions of reality and fantasy and ex- plores the resonance of both within a desert landscape and a transient culture. The characters depicted in the film, (an actress, a singer, a DJ, a motel owner and his wife, an US army soldier, a mystic, a princess, a recluse, a movie ticket seller, two hitchhikers, a doctor, a director, etc.), are to be played by both actors and non-actors. The story is constructed through the interpretation of real life communications (i.e. phone calls, emails, conversations) that have taken place as the individuals depicted in the story try to make sense of events that have occurred in real  life. In this sense the story is, in part, a biography and social commentary, and the characters are the exaggerated alter egos of the individuals who play them.

The structure of the plot is fairly simple. An actress works as a telemarketer is inspired by a singer who is new to town and is featured on the local radio station. The radio station runs a program for lonely hearts and a charismatic DJ uses the show to reveal the hopes and dreams of the towns "hottest women". One night a pan- icked German female caller captivates the community with a painful story about a sexy "Smoke Jumper" (a mysterious and super real alpha male). Everybody in town is listening to the program and nobody is quite sure what to say.

Life in general continues and we witness and explore the various interactions. The actress meets the singer and they become famous. The US Army soldier dies on his way to battle. The foreign princess discovers that the jewels she has come to sell are fake ones. The motel owner's wife has an affair with the pool boys and so on. All the while, the community is united by their loyalty to the Lonely Hearts Radio Show and through the dis- turbing  revelations of the German woman and the details of her sordid affair. The stories she tells are ex- plored through the imaginations of the listeners and through the memories of the teller. The smoke jumper becomes a pervasive figure who in some way affects the lives of all those who listen to the story. He seduces women, is linked to a local thievery, a rape and a pos- sible death. The story comes to conclusion when this chaotic character quits town leaving in his wake a trail of destruction and despair. What is left is a void, a space for transformation, as the wounded community rediscovers itself in its quest to make sense of what has happened.

A defining feature of the film is the use of still images and the use of voice over. Characters talk to us / themselves / you about their ambitions, memories, hopes, fears and dreams. The film is to be shot using a mix of super 8 and 16mm film stock and Polaroid images. Certain computer-generated  effects will also be used to enhance the films surreal mood and to animate its dark humor.

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